BOT REELS
For over 15 years, the BOTs have been supporting visual effects work for clients across the globe.
OUR WORK
Our clients tell us they trust and love us because we “get the sh*t done”
(we think they’re saying “shot”, but it kinda sounds like something else).
So here’s what we’ve been doing lately. Don’t judge us…well, ok, go ahead and judge us.
ABOUT US
It’s not every day that a company that delivers on creativity has scale. And it’s not every day that such a creative company with scale has a distinct culture and heart.
Somehow or the other, with rare exception, one of the elements fades into the background. Highly creative companies have that je ne sais quoi, but struggle to scale. Larger companies with stellar creative credentials often struggle to reclaim the distinctive culture of their earlier days. BOT is the result of a nearly dozen-year struggle to create a company that keeps these forces in balance: Creative Chops, Scale, and a Distinctive Culture.
CREATIVE CHOPSRead More
SCALERead More
DISTINCTIVE CULTURERead More
We serve the creatively demanding post-production needs of the film and television industry globally, serving some of the biggest and smallest production houses, VFX facilities and agencies across several continents. We provide services ranging from rotoscopy, paint and matchmove to compositing involving CG elements and particle effects, and asset development. We work efficiently with clients who have some of the most sophisticated pipelines in the world.
Our scale is significant not only in terms of the number of artists we employ, but in other dimensions as well. We’ve worked on tens of thousands of shots, we transfer terabytes of data with our clients every month, and we’ve worked with nearly 350 clients around the world. We interface with countless client pipelines, each with their own nuanced requirements. We are always recruiting and always training our team members.
We have nurtured a culture that embraces the fun in everyday things, and that our team (and many others) recognizes as having a heart. We take our work seriously, but ourselves, not so much. In our pursuit of scale, we have been cautious to avoid dulling down the cultural senses. Process, roles, policies and structure are necessary to achieve scale, but we make them fit within the context of the heart, soul and character of BOT VFX.
Lord knows it’s been hard. At nearly 800 people strong and growing, we’re not doing victory laps, but instead
doubling down on the leadership traits that helped us maintain this balance so far.
Being a bot means celebrating life. We are passionate explorers who revel in all things creative and fun, sharing in each other’s joys and sorrows, challenges and victories.
Being a bot means excelling at your craft, always improving as a professional and growing as a human being. We never stop learning.
Being a bot means leaving the world around us better than we found it. We serve and support our community by contributing time and money where there is need.
BOT BLOG
BOT Gives Visual Meaning to Unfelt Pain in Novocaine
Many women have accused their men of lacking feelings. But when Nathan Caine’s girlfriend makes...
Bad Boys, Big Win: BOT VFX Crew Ride High at VAM Awards 2025
BOT VFX, collaborating with the talented client team led by VFX Supervisor Kris Sundberg and...
Welcoming Sriram to BOT VFX’s Creative Leadership Team
As BOT VFX continues to deepen its creative leadership, we are excited to announce the...
BOT Wins the Innovative Wellness Initiative Award at the Welcon’24 by NHRD
At the National Wellness Conference - Welcon'24, organized by the NHRD (Chennai) on 23rd August...
BOT ACCOLADES
All The Light We Cannot See
Outstanding Special Visual Effects in a Single Episode
Emmy Nominee
BOT VFX
Bad Boys: Ride or Die
Best VFX Feature – International award
VAM Awards 2025
BOT VFX
BOT VFX
VFX Studio of the Year Award
FICCI Frames BAF Awards 2024
BOT VFX
BOT VFX
VFX Studio of the Year-2022
VAM Summit and Awards 2022
BOT VFX
Game of Thrones Season 8
Best VFX in a Non- Feature (International)
FICCI Frames BAF Awards 2020
Scanline & BOT VFX
Guillermo del Toro’s Pinocchio
Best VFX in Animation (International)
VAM Summit and Awards 2023
BOT VFX
Mercedes-Benz Vans
Best VFX Shot in Commercials
VAM Summit and Awards 2023
BOT VFX
The Mandalorian Season 2
Best VFX Shot in TV Series/Show
VAM Summit and Awards 2022
BOT VFX
The Peripheral
Best VFX Shot – International
VAM Summit and Awards 2023
BOT VFX
The Peripheral
Best VFX in TV Series (International)
VAM Summit and Awards 2023
BOT VFX
To Catch A killer
VFX Shot of the Year - VAM Awards 2024
FICCI Frames BAF Awards 2024
BOT VFX
Zack Snyder’s Justice League
Best VFX Shot - Film
VAM Summit and Awards 2022
BOT VFX
Gemini Man
Best VFX Shot of the Year (International)
FICCI Frames BAF Awards 2020
Scanline & BOT VFX
Solo: A Star Wars Story
Best VFX Shot of the Year (International)
FICCI Frames BAF Awards 2019
Hybride & BOT VFX
CHAPPiE
Best VFX in a Motion Picture (International)
FICCI Frames BAF Awards 2016
Image Engine & BOT VFX
